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	<id>https://www.bzwiki.com/index.php?action=history&amp;feed=atom&amp;title=ELEVEN</id>
	<title>ELEVEN - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.bzwiki.com/index.php?action=history&amp;feed=atom&amp;title=ELEVEN"/>
	<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;action=history"/>
	<updated>2026-04-07T01:15:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.8</generator>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25425&amp;oldid=prev</id>
		<title>Jd- at 10:58, 25 May 2018</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25425&amp;oldid=prev"/>
		<updated>2018-05-25T10:58:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:58, 25 May 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot;&gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from album tour [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] went unseen on [[B&amp;#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&amp;#039;z Home Videos|home video]] as part of &amp;#039;&amp;#039;[[B&amp;#039;z The Best &amp;quot;ULTRA Pleasure&amp;quot;]]&amp;#039;&amp;#039; in 2008 which included &amp;quot;[[GOLD]]&amp;quot; in live form, followed by &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; including &amp;quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&amp;quot;, &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot;, and &amp;quot;[[ultra soul|Swimmer yo 2001!!]]&amp;quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&amp;#039;z LIVE-GYM 2001 -ELEVEN-]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from album tour [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] went unseen on [[B&amp;#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&amp;#039;z Home Videos|home video]] as part of &amp;#039;&amp;#039;[[B&amp;#039;z The Best &amp;quot;ULTRA Pleasure&amp;quot;]]&amp;#039;&amp;#039; in 2008 which included &amp;quot;[[GOLD]]&amp;quot; in live form, followed by &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; including &amp;quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&amp;quot;, &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot;, and &amp;quot;[[ultra soul|Swimmer yo 2001!!]]&amp;quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&amp;#039;z LIVE-GYM 2001 -ELEVEN-]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &#039;&#039;ELEVEN&#039;&#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &#039;&#039;ELEVEN&#039;&#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. In 2018, the album was reissued as a two vinyl set made available to visitors of their thirtieth anniversary public exhibition entitled [[B&#039;z 30th Year Exhibition &quot;SCENES&quot; 1988-2018|&quot;SCENES&quot;]] alongside all other studio albums to that point&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25045&amp;oldid=prev</id>
		<title>Jd- at 10:03, 12 December 2017</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25045&amp;oldid=prev"/>
		<updated>2017-12-12T10:03:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:03, 12 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the eleventh [[B&amp;#039;z Albums#Studio Albums|studio album]] by [[B&amp;#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;. The album spawned four singles, one for each season. These date back to the release of its first single &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &amp;#039;&amp;#039;[[The Ballads ~Love &amp;amp; B&amp;#039;z~]]&amp;#039;&amp;#039; two years later. Spring brought the ballad &amp;quot;[[May]]&amp;quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &amp;quot;[[juice]]&amp;quot;. In fall, the final single &amp;quot;[[RING]]&amp;quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the eleventh [[B&amp;#039;z Albums#Studio Albums|studio album]] by [[B&amp;#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;. The album spawned four singles, one for each season. These date back to the release of its first single &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &amp;#039;&amp;#039;[[The Ballads ~Love &amp;amp; B&amp;#039;z~]]&amp;#039;&amp;#039; two years later. Spring brought the ballad &amp;quot;[[May]]&amp;quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &amp;quot;[[juice]]&amp;quot;. In fall, the final single &amp;quot;[[RING]]&amp;quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the midst of production, the band embarked on a summer tour coinciding with the album&#039;s third single &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and bearing &lt;/del&gt;its &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;title &lt;/del&gt;in the form of [[B&#039;z LIVE-GYM Pleasure 2000 &quot;juice&quot;]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the midst of production, the band embarked on a summer tour coinciding with the album&#039;s third single &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that also bore &lt;/ins&gt;its &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name &lt;/ins&gt;in the form of [[B&#039;z LIVE-GYM Pleasure 2000 &quot;juice&quot;]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. This would also mark the end of the band&#039;s true hard rock era for some years, with them instead embracing more experimental and digital sounds on follow-ups &#039;&#039;[[GREEN]]&#039;&#039; and &#039;&#039;[[BIG MACHINE]]&#039;&#039;. None of the album&#039;s tracks apart from the singles have been [[B&#039;z Albums#Compilation Albums|collected]] elsewhere, though the singles were found selectively on &#039;&#039;[[B&#039;z The Best &quot;Pleasure II&quot;]]&#039;&#039; and &#039;&#039;[[B&#039;z The Best &quot;ULTRA Pleasure&quot;]]&#039;&#039;, with all four appearing on &#039;&#039;[[B&#039;z The Best XXV 1999-2012]]&#039;&#039;&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;[[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|LIVE-GYM 2001 &quot;ELEVEN&quot; album tour&lt;/del&gt;]] went unseen on [[B&#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&#039;z Home Videos|home video]] as part of &#039;&#039;[[B&#039;z The Best &quot;ULTRA Pleasure&quot;]]&#039;&#039; in 2008 which included &quot;[[GOLD]]&quot; in live form, followed by &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; including &quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&quot;, &quot;[[Konya Tsuki no Mieru Oka ni]]&quot;, and &quot;[[ultra soul|Swimmer yo 2001!!]]&quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &#039;&#039;[[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&#039;z LIVE-GYM 2001 -ELEVEN-]]&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;album tour &lt;/ins&gt;[[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] went unseen on [[B&#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&#039;z Home Videos|home video]] as part of &#039;&#039;[[B&#039;z The Best &quot;ULTRA Pleasure&quot;]]&#039;&#039; in 2008 which included &quot;[[GOLD]]&quot; in live form, followed by &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; including &quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&quot;, &quot;[[Konya Tsuki no Mieru Oka ni]]&quot;, and &quot;[[ultra soul|Swimmer yo 2001!!]]&quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &#039;&#039;[[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&#039;z LIVE-GYM 2001 -ELEVEN-]]&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot;&gt;Line 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the sessions were fruitful, the band&amp;#039;s shift toward a more digital sound the following year beginning with &amp;quot;[[ultra soul]]&amp;quot; was not a coincidence. After having worked with so many international producers for this album, the band decided to try something new after moving forward with the idea that &amp;quot;B&amp;#039;z is just two people&amp;quot; and &amp;quot;are two people that are Japanese [artists at heart]&amp;quot;. Feeling that was essential to their identity, there was a concerted effort to strive for a sound that resonated more directly with their own musical trajectory. This led to digital driving elements being utilized for their next two works &amp;#039;&amp;#039;[[GREEN]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[BIG MACHINE]]&amp;#039;&amp;#039; after being amalgamated with the hard rock sound curated here. Shortly thereafter, [[Tak Matsumoto]] would also embrace a more oriental flavor on his seminal solo effort &amp;#039;&amp;#039;[[Hana]]&amp;#039;&amp;#039; as well, which brought him his first international release.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the sessions were fruitful, the band&amp;#039;s shift toward a more digital sound the following year beginning with &amp;quot;[[ultra soul]]&amp;quot; was not a coincidence. After having worked with so many international producers for this album, the band decided to try something new after moving forward with the idea that &amp;quot;B&amp;#039;z is just two people&amp;quot; and &amp;quot;are two people that are Japanese [artists at heart]&amp;quot;. Feeling that was essential to their identity, there was a concerted effort to strive for a sound that resonated more directly with their own musical trajectory. This led to digital driving elements being utilized for their next two works &amp;#039;&amp;#039;[[GREEN]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[BIG MACHINE]]&amp;#039;&amp;#039; after being amalgamated with the hard rock sound curated here. Shortly thereafter, [[Tak Matsumoto]] would also embrace a more oriental flavor on his seminal solo effort &amp;#039;&amp;#039;[[Hana]]&amp;#039;&amp;#039; as well, which brought him his first international release.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Although few of the tracks apart from its four singles have been revisited on [[B&#039;z Albums#Compilation Albums|compilation works]] and future [[LIVE-GYM]] concerts, it still remains popular with fans and the band alike. In 2013, Tak cited the album as his answer for the number one B&#039;z album, and in 2014 also stated he liked the guitar sound throughout it.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25044&amp;oldid=prev</id>
		<title>Jd-: /* Production information */</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25044&amp;oldid=prev"/>
		<updated>2017-12-11T12:57:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Production information&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:57, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to the album being a collaboration with various foreign producers such as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;producer &amp;amp; &lt;/del&gt;engineer Pat Regan, who had previously worked with Kiss, Deep Purple, and Mr. Big, [[B&#039;z English Songs|English lyrics]] were prepared for all of the album&#039;s songs to some degree. Only two of these demos would see any sort of public release. First, an English version of &quot;Raging River&quot; was available as part of enhanced CD features on &#039;&#039;[[B&#039;z The &quot;Mixture&quot;]]&#039;&#039; in February, while &quot;TOKYO DEVIL&quot; would become &quot;[[DEVIL]]&quot; two years later. The English reversion of the latter would be one of their most-performed English songs to date that would be released on the Korea-only mini album &#039;&#039;[[DEVIL]]&#039;&#039; in 2002 and &#039;&#039;[[B&#039;z The Best &quot;ULTRA Treasure&quot;]]&#039;&#039; in 2008.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to the album being a collaboration with various foreign producers such as engineer Pat Regan, who had previously worked with Kiss, Deep Purple, and Mr. Big, [[B&#039;z English Songs|English lyrics]] were prepared for all of the album&#039;s songs to some degree. Only two of these demos would see any sort of public release. First, an English version of &quot;Raging River&quot; was available as part of enhanced CD features on &#039;&#039;[[B&#039;z The &quot;Mixture&quot;]]&#039;&#039; in February, while &quot;TOKYO DEVIL&quot; would become &quot;[[DEVIL]]&quot; two years later. The English reversion of the latter would be one of their most-performed English songs to date that would be released on the Korea-only mini album &#039;&#039;[[DEVIL]]&#039;&#039; in 2002 and &#039;&#039;[[B&#039;z The Best &quot;ULTRA Treasure&quot;]]&#039;&#039; in 2008.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initial production took place in Japan immediately after [[B&amp;#039;z LIVE-GYM &amp;#039;99 &amp;quot;Brotherhood&amp;quot;]]. Shortly thereafter, the band traveled to Los Angeles for what would begin one of the longest recording periods in their history. Into the year 2000, B&amp;#039;z continued work on the album in Japan as of March. The long recording process was delayed slightly by two side projects: the summer tour [[B&amp;#039;z LIVE-GYM Pleasure 2000 &amp;quot;juice&amp;quot;]] and the preceding project &amp;#039;&amp;#039;[[B&amp;#039;z The &amp;quot;Mixture&amp;quot;]]&amp;#039;&amp;#039;—a re-recordings and remixes collection of older B&amp;#039;z songs made in tandem with their former record label. Between various trips between Los Angeles and Japan, the album was nearly complete by the time the summer tour took place. At that stage, mainly only vocals remained to be dubbed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initial production took place in Japan immediately after [[B&amp;#039;z LIVE-GYM &amp;#039;99 &amp;quot;Brotherhood&amp;quot;]]. Shortly thereafter, the band traveled to Los Angeles for what would begin one of the longest recording periods in their history. Into the year 2000, B&amp;#039;z continued work on the album in Japan as of March. The long recording process was delayed slightly by two side projects: the summer tour [[B&amp;#039;z LIVE-GYM Pleasure 2000 &amp;quot;juice&amp;quot;]] and the preceding project &amp;#039;&amp;#039;[[B&amp;#039;z The &amp;quot;Mixture&amp;quot;]]&amp;#039;&amp;#039;—a re-recordings and remixes collection of older B&amp;#039;z songs made in tandem with their former record label. Between various trips between Los Angeles and Japan, the album was nearly complete by the time the summer tour took place. At that stage, mainly only vocals remained to be dubbed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25043&amp;oldid=prev</id>
		<title>Jd-: /* Production information */</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25043&amp;oldid=prev"/>
		<updated>2017-12-11T12:56:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Production information&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:56, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot;&gt;Line 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The production was resulting in so many tracks and had continued for so long that, in a conscious moment, the band had to set a definitive end point so that it could be released by the end of the year in time for the February album tour to begin. As a result, additional songs from the &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; sessions would also find their way onto &amp;#039;&amp;#039;[[GREEN]]&amp;#039;&amp;#039;. The tour that followed, [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]], would be one of their longest with dates spanning February to August of 2001. All but two of the album&amp;#039;s songs—&amp;quot;Thinking of you&amp;quot; and &amp;quot;Tobira&amp;quot;—were performed live and subsequently released on the album&amp;#039;s [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video release in 2013]] as part of their twenty-fifth anniversary celebrations. Select performances had been excerpted for previous occasions, such as with those found on &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; released for their twentieth anniversary. Oddly, one of the songs that best captures the album&amp;#039;s signature sound titled &amp;quot;Shinjiru Kurai Ii Darou&amp;quot; was performed only for five total dates before being removed and not performed afterward. This has occasionally been the case when a song has been trialed at live outings only to be determined by the band as a less-than-ideal fit, such as with &amp;#039;&amp;#039;[[C&amp;#039;mon]]&amp;#039;&amp;#039; album song &amp;quot;[[C&amp;#039;mon|Hito Shizuku no Anata]]&amp;quot; on the [[B&amp;#039;z LIVE-GYM 2011 -C&amp;#039;mon-|titular album tour]] a decade later.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The production was resulting in so many tracks and had continued for so long that, in a conscious moment, the band had to set a definitive end point so that it could be released by the end of the year in time for the February album tour to begin. As a result, additional songs from the &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; sessions would also find their way onto &amp;#039;&amp;#039;[[GREEN]]&amp;#039;&amp;#039;. The tour that followed, [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]], would be one of their longest with dates spanning February to August of 2001. All but two of the album&amp;#039;s songs—&amp;quot;Thinking of you&amp;quot; and &amp;quot;Tobira&amp;quot;—were performed live and subsequently released on the album&amp;#039;s [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video release in 2013]] as part of their twenty-fifth anniversary celebrations. Select performances had been excerpted for previous occasions, such as with those found on &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; released for their twentieth anniversary. Oddly, one of the songs that best captures the album&amp;#039;s signature sound titled &amp;quot;Shinjiru Kurai Ii Darou&amp;quot; was performed only for five total dates before being removed and not performed afterward. This has occasionally been the case when a song has been trialed at live outings only to be determined by the band as a less-than-ideal fit, such as with &amp;#039;&amp;#039;[[C&amp;#039;mon]]&amp;#039;&amp;#039; album song &amp;quot;[[C&amp;#039;mon|Hito Shizuku no Anata]]&amp;quot; on the [[B&amp;#039;z LIVE-GYM 2011 -C&amp;#039;mon-|titular album tour]] a decade later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the sessions were fruitful, the band&#039;s shift toward a more digital sound the following year beginning with &quot;[[ultra soul]]&quot; was not a coincidence. After having worked with so many international producers for this album, the band decided to try something new after moving forward with the idea that &quot;B&#039;z is just two people &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who &lt;/del&gt;are Japanese [artists at heart]&quot;. Feeling that was essential to their identity, there was a concerted effort to strive for a sound that resonated more directly with their own musical trajectory. This led to digital driving elements being utilized for their next two works &#039;&#039;[[GREEN]]&#039;&#039; and &#039;&#039;[[BIG MACHINE]]&#039;&#039; after being amalgamated with the hard rock sound curated here. Shortly thereafter, [[Tak Matsumoto]] would also embrace a more oriental flavor on his seminal solo effort &#039;&#039;[[Hana]]&#039;&#039; as well, which brought him his first international release.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the sessions were fruitful, the band&#039;s shift toward a more digital sound the following year beginning with &quot;[[ultra soul]]&quot; was not a coincidence. After having worked with so many international producers for this album, the band decided to try something new after moving forward with the idea that &quot;B&#039;z is just two people&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; and &quot;are two people that &lt;/ins&gt;are Japanese [artists at heart]&quot;. Feeling that was essential to their identity, there was a concerted effort to strive for a sound that resonated more directly with their own musical trajectory. This led to digital driving elements being utilized for their next two works &#039;&#039;[[GREEN]]&#039;&#039; and &#039;&#039;[[BIG MACHINE]]&#039;&#039; after being amalgamated with the hard rock sound curated here. Shortly thereafter, [[Tak Matsumoto]] would also embrace a more oriental flavor on his seminal solo effort &#039;&#039;[[Hana]]&#039;&#039; as well, which brought him his first international release.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25042&amp;oldid=prev</id>
		<title>Jd- at 12:55, 11 December 2017</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25042&amp;oldid=prev"/>
		<updated>2017-12-11T12:55:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:55, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Released    = December 6, 2000&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Released    = December 6, 2000&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Genre       = Hard rock&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Genre       = Hard rock&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Recorded    =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Recorded    = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fall 1999 - Fall 2000&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Length      = 54:45&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Length      = 54:45&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Label       = [[Vermillion Records]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Label       = [[Vermillion Records]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot;&gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the eleventh [[B&amp;#039;z Albums#Studio Albums|studio album]] by [[B&amp;#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;. The album spawned four singles, one for each season. These date back to the release of its first single &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &amp;#039;&amp;#039;[[The Ballads ~Love &amp;amp; B&amp;#039;z~]]&amp;#039;&amp;#039; two years later. Spring brought the ballad &amp;quot;[[May]]&amp;quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &amp;quot;[[juice]]&amp;quot;. In fall, the final single &amp;quot;[[RING]]&amp;quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the eleventh [[B&amp;#039;z Albums#Studio Albums|studio album]] by [[B&amp;#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;. The album spawned four singles, one for each season. These date back to the release of its first single &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &amp;#039;&amp;#039;[[The Ballads ~Love &amp;amp; B&amp;#039;z~]]&amp;#039;&amp;#039; two years later. Spring brought the ballad &amp;quot;[[May]]&amp;quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &amp;quot;[[juice]]&amp;quot;. In fall, the final single &amp;quot;[[RING]]&amp;quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the midst of production, the band embarked on a summer tour coinciding with the album&#039;s third single and bearing its title in the form of [[B&#039;z LIVE-GYM Pleasure 2000 &quot;juice&quot;]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from the [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;|LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot; album tour]] went unseen on [[B&amp;#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&amp;#039;z Home Videos|home video]] as part of &amp;#039;&amp;#039;[[B&amp;#039;z The Best &amp;quot;ULTRA Pleasure&amp;quot;]]&amp;#039;&amp;#039; in 2008 which included &amp;quot;[[GOLD]]&amp;quot; in live form, followed by &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; including &amp;quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&amp;quot;, &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot;, and &amp;quot;[[ultra soul|Swimmer yo 2001!!]]&amp;quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&amp;#039;z LIVE-GYM 2001 -ELEVEN-]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from the [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;|LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot; album tour]] went unseen on [[B&amp;#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&amp;#039;z Home Videos|home video]] as part of &amp;#039;&amp;#039;[[B&amp;#039;z The Best &amp;quot;ULTRA Pleasure&amp;quot;]]&amp;#039;&amp;#039; in 2008 which included &amp;quot;[[GOLD]]&amp;quot; in live form, followed by &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; including &amp;quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&amp;quot;, &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot;, and &amp;quot;[[ultra soul|Swimmer yo 2001!!]]&amp;quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&amp;#039;z LIVE-GYM 2001 -ELEVEN-]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot;&gt;Line 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All but two of the album&#039;s songs—&quot;Thinking of you&quot; and &quot;Tobira&quot;—were performed live and subsequently released on the album&#039;s [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video release in 2013]] as part of their twenty-fifth anniversary celebrations. Select performances had been excerpted for previous occasions, such as with those found on &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; released for their twentieth anniversary. Oddly, one of the songs that best captures the album&#039;s signature sound titled &quot;Shinjiru Kurai Ii Darou&quot; was performed only for five total dates before being removed and not performed afterward. This has occasionally been the case when a song has been trialed at live outings only to be determined by the band as a less-than-ideal fit, such as with &#039;&#039;[[C&#039;mon]]&#039;&#039; album song &quot;[[C&#039;mon|Hito Shizuku no Anata]]&quot; on the [[B&#039;z LIVE-GYM 2011 -C&#039;mon-|titular album tour]] a decade later.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Due to the album being a collaboration with various foreign producers such as producer &amp;amp; engineer Pat Regan, who had previously worked with Kiss, Deep Purple, and Mr. Big, [[B&#039;z English Songs|English lyrics]] were prepared for all of the album&#039;s songs to some degree. Only two of these demos would see any sort of public release. First, an English version of &quot;Raging River&quot; was available as part of enhanced CD features on &#039;&#039;[[B&#039;z The &quot;Mixture&quot;]]&#039;&#039; in February, while &quot;TOKYO DEVIL&quot; would become &quot;[[DEVIL]]&quot; two years later. The English reversion of the latter would be one of their most-performed English songs to date that would be released on the Korea-only mini album &#039;&#039;[[DEVIL]]&#039;&#039; in 2002 and &#039;&#039;[[B&#039;z The Best &quot;ULTRA Treasure&quot;]]&#039;&#039; in 2008.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Initial production took place in Japan immediately after [[B&#039;z LIVE-GYM &#039;99 &quot;Brotherhood&quot;]]. Shortly thereafter, the band traveled to Los Angeles for what would begin one of the longest recording periods in their history. Into the year 2000, B&#039;z continued work on the album in Japan as of March. The long recording process was delayed slightly by two side projects: the summer tour [[B&#039;z LIVE-GYM Pleasure 2000 &quot;juice&quot;]] and the preceding project &#039;&#039;[[B&#039;z The &quot;Mixture&quot;]]&#039;&#039;—a re-recordings and remixes collection of older B&#039;z songs made in tandem with their former record label. Between various trips between Los Angeles and Japan, the album was nearly complete by the time the summer tour took place. At that stage, mainly only vocals remained to be dubbed.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;While the album has a consistent hard rock element throughout its track listing, the on and off recording process meant there was no consistent, conscious theme underscoring the whole work. The lack of an overall theme emerging by the end of recording led to the album being titled &#039;&#039;ELEVEN&#039;&#039; after it being their eleventh studio album to that point. In fact, the manner in which production took place was recounted by the band as a &quot;drip feed&quot; of album songs. This resulted in an eclectic mix of ballads and some of their hardest rock numbers.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The production was resulting in so many tracks and had continued for so long that, in a conscious moment, the band had to set a definitive end point so that it could be released by the end of the year in time for the February album tour to begin. As a result, additional songs from the &#039;&#039;ELEVEN&#039;&#039; sessions would also find their way onto &#039;&#039;[[GREEN]]&#039;&#039;. The tour that followed, [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]], would be one of their longest with dates spanning February to August of 2001. &lt;/ins&gt;All but two of the album&#039;s songs—&quot;Thinking of you&quot; and &quot;Tobira&quot;—were performed live and subsequently released on the album&#039;s [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video release in 2013]] as part of their twenty-fifth anniversary celebrations. Select performances had been excerpted for previous occasions, such as with those found on &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; released for their twentieth anniversary. Oddly, one of the songs that best captures the album&#039;s signature sound titled &quot;Shinjiru Kurai Ii Darou&quot; was performed only for five total dates before being removed and not performed afterward. This has occasionally been the case when a song has been trialed at live outings only to be determined by the band as a less-than-ideal fit, such as with &#039;&#039;[[C&#039;mon]]&#039;&#039; album song &quot;[[C&#039;mon|Hito Shizuku no Anata]]&quot; on the [[B&#039;z LIVE-GYM 2011 -C&#039;mon-|titular album tour]] a decade later.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Additional songs from &lt;/del&gt;the &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ELEVEN&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sessions would also find their way onto &lt;/del&gt;&#039;&#039;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;GREEN&lt;/del&gt;]]&#039;&#039; after being &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;deemed unfit for &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;album &lt;/del&gt;here.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;While &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sessions were fruitful, the band&#039;s shift toward a more digital sound the following year beginning with &quot;[[ultra soul]]&quot; was not a coincidence. After having worked with so many international producers for this album, the band decided to try something new after moving forward with the idea that &quot;B&#039;z is just two people who are Japanese [artists at heart]&quot;. Feeling that was essential to their identity, there was a concerted effort to strive for a sound that resonated more directly with their own musical trajectory. This led to digital driving elements being utilized for their next two works &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[GREEN]]&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;&#039;&#039;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BIG MACHINE&lt;/ins&gt;]]&#039;&#039; after being &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;amalgamated with &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hard rock sound curated &lt;/ins&gt;here&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Shortly thereafter, [[Tak Matsumoto]] would also embrace a more oriental flavor on his seminal solo effort &#039;&#039;[[Hana]]&#039;&#039; as well, which brought him his first international release&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25041&amp;oldid=prev</id>
		<title>Jd- at 11:30, 11 December 2017</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25041&amp;oldid=prev"/>
		<updated>2017-12-11T11:30:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:30, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the eleventh [[B&amp;#039;z Albums#Studio Albums|studio album]] by [[B&amp;#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;. The album spawned four singles, one for each season. These date back to the release of its first single &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &amp;#039;&amp;#039;[[The Ballads ~Love &amp;amp; B&amp;#039;z~]]&amp;#039;&amp;#039; two years later. Spring brought the ballad &amp;quot;[[May]]&amp;quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &amp;quot;[[juice]]&amp;quot;. In fall, the final single &amp;quot;[[RING]]&amp;quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the eleventh [[B&amp;#039;z Albums#Studio Albums|studio album]] by [[B&amp;#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;. The album spawned four singles, one for each season. These date back to the release of its first single &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &amp;#039;&amp;#039;[[The Ballads ~Love &amp;amp; B&amp;#039;z~]]&amp;#039;&amp;#039; two years later. Spring brought the ballad &amp;quot;[[May]]&amp;quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &amp;quot;[[juice]]&amp;quot;. In fall, the final single &amp;quot;[[RING]]&amp;quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from the tour went unseen on [[B&#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&#039;z Home Videos|home video]] as part of &#039;&#039;[[B&#039;z The Best &quot;ULTRA Pleasure&quot;]]&#039;&#039; in 2008 which included &quot;[[GOLD]]&quot; in live form, followed by &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; including &quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&quot;, &quot;[[Konya Tsuki no Mieru Oka ni]]&quot;, and &quot;[[ultra soul|Swimmer yo 2001!!]]&quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &#039;&#039;[[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&#039;z LIVE-GYM 2001 -ELEVEN-]]&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;|LIVE-GYM 2001 &quot;ELEVEN&quot; album &lt;/ins&gt;tour&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;went unseen on [[B&#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&#039;z Home Videos|home video]] as part of &#039;&#039;[[B&#039;z The Best &quot;ULTRA Pleasure&quot;]]&#039;&#039; in 2008 which included &quot;[[GOLD]]&quot; in live form, followed by &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; including &quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&quot;, &quot;[[Konya Tsuki no Mieru Oka ni]]&quot;, and &quot;[[ultra soul|Swimmer yo 2001!!]]&quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &#039;&#039;[[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&#039;z LIVE-GYM 2001 -ELEVEN-]]&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25040&amp;oldid=prev</id>
		<title>Jd- at 11:30, 11 December 2017</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25040&amp;oldid=prev"/>
		<updated>2017-12-11T11:30:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:30, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot;&gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;ELEVEN&#039;&#039;&#039;&#039;&#039; is the eleventh [[B&#039;z Albums#Studio Albums|studio album]] by [[B&#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &#039;&#039;[[Brotherhood]]&#039;&#039;. The album spawned four singles, one for each season. These date back to the release of its first single &quot;[[Konya Tsuki no Mieru Oka ni]]&quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &#039;&#039;[[The Ballads ~Love &amp;amp; B&#039;z~]]&#039;&#039; two years later. Spring brought the ballad &quot;[[May]]&quot;, while summer saw the release &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of one &lt;/del&gt;of what would become one of their signature songs: the hard rock anthem &quot;[[juice]]&quot;. In fall, the final single &quot;[[RING]]&quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;ELEVEN&#039;&#039;&#039;&#039;&#039; is the eleventh [[B&#039;z Albums#Studio Albums|studio album]] by [[B&#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &#039;&#039;[[Brotherhood]]&#039;&#039;. The album spawned four singles, one for each season. These date back to the release of its first single &quot;[[Konya Tsuki no Mieru Oka ni]]&quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &#039;&#039;[[The Ballads ~Love &amp;amp; B&#039;z~]]&#039;&#039; two years later. Spring brought the ballad &quot;[[May]]&quot;, while summer saw the release of what would become one of their signature songs: the hard rock anthem &quot;[[juice]]&quot;. In fall, the final single &quot;[[RING]]&quot; was released.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from the tour went unseen on [[B&amp;#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&amp;#039;z Home Videos|home video]] as part of &amp;#039;&amp;#039;[[B&amp;#039;z The Best &amp;quot;ULTRA Pleasure&amp;quot;]]&amp;#039;&amp;#039; in 2008 which included &amp;quot;[[GOLD]]&amp;quot; in live form, followed by &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; including &amp;quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&amp;quot;, &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot;, and &amp;quot;[[ultra soul|Swimmer yo 2001!!]]&amp;quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&amp;#039;z LIVE-GYM 2001 -ELEVEN-]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Initially, shows from the tour went unseen on [[B&amp;#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&amp;#039;z Home Videos|home video]] as part of &amp;#039;&amp;#039;[[B&amp;#039;z The Best &amp;quot;ULTRA Pleasure&amp;quot;]]&amp;#039;&amp;#039; in 2008 which included &amp;quot;[[GOLD]]&amp;quot; in live form, followed by &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&amp;#039;&amp;#039; including &amp;quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&amp;quot;, &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot;, and &amp;quot;[[ultra soul|Swimmer yo 2001!!]]&amp;quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &amp;#039;&amp;#039;[[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&amp;#039;z LIVE-GYM 2001 -ELEVEN-]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25038&amp;oldid=prev</id>
		<title>Jd- at 11:01, 11 December 2017</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25038&amp;oldid=prev"/>
		<updated>2017-12-11T11:01:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:01, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Album&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ready}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;title &lt;/del&gt;= ELEVEN&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Infobox &lt;/ins&gt;Album &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;type &lt;/del&gt;= &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;studio&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Name        &lt;/ins&gt;= ELEVEN&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;count &lt;/del&gt;= &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eleventh&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Type        = Studio&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;date &lt;/del&gt;= December &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;6th&lt;/del&gt;, 2000&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Artist      &lt;/ins&gt;= &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[B&#039;z]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;genre &lt;/del&gt;= Hard rock&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cover       &lt;/ins&gt;= &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;11a.jpg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cover &lt;/del&gt;= &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;11a.jpg&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Released    &lt;/ins&gt;= December &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;6&lt;/ins&gt;, 2000&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;length &lt;/del&gt;= 54:45&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Genre       &lt;/ins&gt;= Hard rock&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Recorded    &lt;/ins&gt;=  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Length      &lt;/ins&gt;= 54:45&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Label       = [[Vermillion Records]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Producer    = [[Tak Matsumoto]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Reviews     = &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Last album  = &amp;#039;&amp;#039;&amp;#039;10th Album&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;[[File:10a.jpg|link=Brotherhood|border|65px|right]]&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;(1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Last album  = &amp;#039;&amp;#039;&amp;#039;10th Album&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;[[File:10a.jpg|link=Brotherhood|border|65px|right]]&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[Brotherhood]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;(1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| This album  = &amp;#039;&amp;#039;&amp;#039;11th Album&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;[[File:11a.jpg|link=|border|65px|right]]&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[ELEVEN]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;(2000)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| This album  = &amp;#039;&amp;#039;&amp;#039;11th Album&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;[[File:11a.jpg|link=|border|65px|right]]&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[ELEVEN]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;(2000)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Next album  = &amp;#039;&amp;#039;&amp;#039;12th Album&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;[[File:12a.jpg|link=GREEN|border|65px|right]]&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[GREEN]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;(2002)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Next album  = &amp;#039;&amp;#039;&amp;#039;12th Album&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;[[File:12a.jpg|link=GREEN|border|65px|right]]&amp;lt;br&amp;gt;&amp;#039;&amp;#039;[[GREEN]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;(2002)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Misc        = {{Singles&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Name         = ELEVEN&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Type         = studio&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 1     = [[File:27s.jpg|link=Konya Tsuki no Mieru Oka ni|border|28px|right]][[Konya Tsuki no Mieru Oka ni]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 1 date = February 9, 2000&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 2     = [[File:28s.jpg|link=May|border|28px|right]][[May]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 2 date = May 24, 2000&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 3     = [[File:29s.jpg|link=juice|border|28px|right]][[juice]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 3 date = July 12, 2000&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 4     = [[File:30s.jpg|link=RING|border|28px|right]][[RING]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| single 4 date = October 4, 2000&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;&#039;ELEVEN&#039;&#039;&#039;&#039;&#039; is the eleventh [[B&#039;z Albums#Studio Albums|studio album]] by [[B&#039;z]], released on December 6, 2000. The album was released under a hard rock banner and with the exception of its few choice ballads, it is one of the heaviest works in their catalogue alongside previous effort &#039;&#039;[[Brotherhood]]&#039;&#039;. The album spawned four singles, one for each season. These date back to the release of its first single &quot;[[Konya Tsuki no Mieru Oka ni]]&quot; in February which was found here with an alternate guitar solo—notably, another alternate guitar take would be found on &#039;&#039;[[The Ballads ~Love &amp;amp; B&#039;z~]]&#039;&#039; two years later. Spring brought the ballad &quot;[[May]]&quot;, while summer saw the release of one of what would become one of their signature songs: the hard rock anthem &quot;[[juice]]&quot;. In fall, the final single &quot;[[RING]]&quot; was released.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Initially, shows from the tour went unseen on [[B&#039;z Home Videos|home video]]. The show was first glimpsed in excerpt form on [[B&#039;z Home Videos|home video]] as part of &#039;&#039;[[B&#039;z The Best &quot;ULTRA Pleasure&quot;]]&#039;&#039; in 2008 which included &quot;[[GOLD]]&quot; in live form, followed by &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; including &quot;[[ZERO|Koi-Gokoro (KOI-GOKORO)]]&quot;, &quot;[[Konya Tsuki no Mieru Oka ni]]&quot;, and &quot;[[ultra soul|Swimmer yo 2001!!]]&quot;. Later, in celebration of the twenty-fifth anniversary, a full show from the tour held at [[Seibu Dome]] was released on DVD under the title &#039;&#039;[[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|B&#039;z LIVE-GYM 2001 -ELEVEN-]]&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon release, &amp;#039;&amp;#039;ELEVEN&amp;#039;&amp;#039; debuted at the top of the Weekly Oricon Album chart with 756,910 physical copies sold. The album would go on to rank at number 19 on the year end chart. To date, the album has sold in excess of 1,132,180 physical copies, qualifying it for a Million certification from the Recording Industry Association of Japan.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 37:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production information ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All but two of the album&#039;s songs—&quot;Thinking of you&quot; and &quot;Tobira&quot;—were performed live and subsequently released on the album&#039;s [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video release in 2013]] as part of their twenty-fifth anniversary celebrations. Select performances had been excerpted for previous occasions, such as with those found on &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; released for their twentieth anniversary.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All but two of the album&#039;s songs—&quot;Thinking of you&quot; and &quot;Tobira&quot;—were performed live and subsequently released on the album&#039;s [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video release in 2013]] as part of their twenty-fifth anniversary celebrations. Select performances had been excerpted for previous occasions, such as with those found on &#039;&#039;[[B&#039;z LIVE-GYM Hidden Pleasure ~Typhoon No.20~]]&#039;&#039; released for their twentieth anniversary&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Oddly, one of the songs that best captures the album&#039;s signature sound titled &quot;Shinjiru Kurai Ii Darou&quot; was performed only for five total dates before being removed and not performed afterward. This has occasionally been the case when a song has been trialed at live outings only to be determined by the band as a less-than-ideal fit, such as with &#039;&#039;[[C&#039;mon]]&#039;&#039; album song &quot;[[C&#039;mon|Hito Shizuku no Anata]]&quot; on the [[B&#039;z LIVE-GYM 2011 -C&#039;mon-|titular album tour]] a decade later&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additional songs from the sessions would also find their way onto &#039;&#039;[[GREEN]]&#039;&#039; after being deemed unfit for the album here.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additional songs from the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;ELEVEN&#039;&#039; &lt;/ins&gt;sessions would also find their way onto &#039;&#039;[[GREEN]]&#039;&#039; after being deemed unfit for the album here.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Track listing ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25037&amp;oldid=prev</id>
		<title>Jd-: /* Track listing */</title>
		<link rel="alternate" type="text/html" href="https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25037&amp;oldid=prev"/>
		<updated>2017-12-11T10:30:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Track listing&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:30, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_09.ogg]] Spanning 7 minutes and 32 seconds, &amp;quot;Raging River&amp;quot; is the longest original song in the B&amp;#039;z catalogue. Its chief rival in terms of length is &amp;quot;OUT OF THE RAIN -OFF THE LOCK STYLE-&amp;quot; from the &amp;#039;&amp;#039;[[BAD COMMUNICATION]]&amp;#039;&amp;#039; mini album released in 1989. Though the song opens with a brief piano and strings intro, this transitions into acoustic guitar backing Koshi&amp;#039;s vocals for the first portion of the song. With the first chorus, the song adds electric guitar and becomes more of a full rock song. An English demo of the song premiered ten months prior via enhanced CD functions for &amp;#039;&amp;#039;[[B&amp;#039;z The &amp;quot;Mixture&amp;quot;]]&amp;#039;&amp;#039;. The initial version was [[B&amp;#039;z English Songs|entirely in English]] and recorded with an acoustic arrangement that ended during the first guitar interlude. Some of the English lyrics remain as part of the chorus here. The domain hosting the demo is no longer functional and thus the song is no longer accessible. Notably, fans initially wondered if the song had any connection to &amp;#039;&amp;#039;[[The 7th Blues]]&amp;#039;&amp;#039; album song &amp;quot;Akai Kawa&amp;quot; (&amp;#039;&amp;#039;Red River&amp;#039;&amp;#039;), though this was rendered moot when Tak said he did not specifically recall the song when asked given the dozens they&amp;#039;d produced in the interim. The song has not been performed live since [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] but was found on its [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_09.ogg]] Spanning 7 minutes and 32 seconds, &amp;quot;Raging River&amp;quot; is the longest original song in the B&amp;#039;z catalogue. Its chief rival in terms of length is &amp;quot;OUT OF THE RAIN -OFF THE LOCK STYLE-&amp;quot; from the &amp;#039;&amp;#039;[[BAD COMMUNICATION]]&amp;#039;&amp;#039; mini album released in 1989. Though the song opens with a brief piano and strings intro, this transitions into acoustic guitar backing Koshi&amp;#039;s vocals for the first portion of the song. With the first chorus, the song adds electric guitar and becomes more of a full rock song. An English demo of the song premiered ten months prior via enhanced CD functions for &amp;#039;&amp;#039;[[B&amp;#039;z The &amp;quot;Mixture&amp;quot;]]&amp;#039;&amp;#039;. The initial version was [[B&amp;#039;z English Songs|entirely in English]] and recorded with an acoustic arrangement that ended during the first guitar interlude. Some of the English lyrics remain as part of the chorus here. The domain hosting the demo is no longer functional and thus the song is no longer accessible. Notably, fans initially wondered if the song had any connection to &amp;#039;&amp;#039;[[The 7th Blues]]&amp;#039;&amp;#039; album song &amp;quot;Akai Kawa&amp;quot; (&amp;#039;&amp;#039;Red River&amp;#039;&amp;#039;), though this was rendered moot when Tak said he did not specifically recall the song when asked given the dozens they&amp;#039;d produced in the interim. The song has not been performed live since [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] but was found on its [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[TOKYO DEVIL (Lyrics)|TOKYO DEVIL]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[TOKYO DEVIL (Lyrics)|TOKYO DEVIL]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_10.ogg]] The song ends with a Chinese gong which was cued by Tak&#039;s longtime tone guru and guitar technician [[Katsunori &quot;hakkai&quot; Hatakeyama|Katsunori Hatakeyama]]. A fully English reversion became their first [[B&#039;z English Songs|English song]] in some time when it was re-recorded as &quot;[[DEVIL]]&quot; two years later. It would be premiered live as part of [[B&#039;z LIVE-GYM 2002 &quot;GREEN ~GO★FIGHT★WIN~&quot;]] and performed as part of [[2002 FIFA World Cup International Day Concert]], a joint headline event with American rock legends [[Aerosmith]]. The song would first find its way onto album form in the Korean-exclusive mini album &#039;&#039;[[DEVIL]]&#039;&#039; in 2002 and later be voted by fans onto &#039;&#039;[[B&#039;z The Best &quot;ULTRA Treasure&quot;]]&#039;&#039; in 2008. The original Japanese version has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|eventual home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_10.ogg]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A relentless hard rock number, &quot;TOKYO DEVIL&quot; is amongst the hardest songs produced by B&#039;z. Overlapped riffs were looped in a manner that is unusual for the B&#039;z production method. &lt;/ins&gt;The song ends with a Chinese gong which was cued by Tak&#039;s longtime tone guru and guitar technician [[Katsunori &quot;hakkai&quot; Hatakeyama|Katsunori Hatakeyama]]. A fully English reversion became their first [[B&#039;z English Songs|English song]] in some time when it was re-recorded as &quot;[[DEVIL]]&quot; two years later. It would be premiered live as part of [[B&#039;z LIVE-GYM 2002 &quot;GREEN ~GO★FIGHT★WIN~&quot;]] and performed as part of [[2002 FIFA World Cup International Day Concert]], a joint headline event with American rock legends [[Aerosmith]]. The song would first find its way onto album form in the Korean-exclusive mini album &#039;&#039;[[DEVIL]]&#039;&#039; in 2002 and later be voted by fans onto &#039;&#039;[[B&#039;z The Best &quot;ULTRA Treasure&quot;]]&#039;&#039; in 2008. The original Japanese version has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|eventual home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Kobushi wo Nigire (Lyrics)|Kobushi wo Nigire]]&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;Clench That Fist&amp;#039;&amp;#039;, コブシヲニギレ&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Kobushi wo Nigire (Lyrics)|Kobushi wo Nigire]]&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;Clench That Fist&amp;#039;&amp;#039;, コブシヲニギレ&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_11.ogg]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A relentless hard rock number&lt;/del&gt;, &quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;TOKYO DEVIL&lt;/del&gt;&quot; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is amongst &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hardest songs produced by B&#039;z&lt;/del&gt;. As with the album&#039;s third track, it was composed with a riff in mind as opposed to working from the melody which was at odds with their process at the time. Overlapped riffs were looped in a manner that is unusual for the B&#039;z production method. According to both members, the resulting song was emblematic of the exact sound they were attempting to capture during that era. Koshi also performed the harmonica on the track. So impressed were they with the result that Tak wanted to make it a single. The song served as the subtitle to a [[SHOWCASE]] concert that led into the album tour, with the resulting title being [[B&#039;z SHOWCASE &quot;Kobushi wo Nigire&quot;]]. The song has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_11.ogg]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;As with the album&#039;s third track&lt;/ins&gt;, &quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kobushi wo Nigire&lt;/ins&gt;&quot; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was composed with a riff in mind as opposed to working from the melody which was at odds with their process at &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;time&lt;/ins&gt;. As with the album&#039;s third track, it was composed with a riff in mind as opposed to working from the melody which was at odds with their process at the time. Overlapped riffs were looped in a manner that is unusual for the B&#039;z production method. According to both members, the resulting song was emblematic of the exact sound they were attempting to capture during that era. Koshi also performed the harmonica on the track. So impressed were they with the result that Tak wanted to make it a single. The song served as the subtitle to a [[SHOWCASE]] concert that led into the album tour, with the resulting title being [[B&#039;z SHOWCASE &quot;Kobushi wo Nigire&quot;]]. The song has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Thinking of you (Lyrics)|Thinking of you]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Thinking of you (Lyrics)|Thinking of you]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_12.ogg]] Originally created as a demo by Tak in between Los Angeles recording sessions, &amp;quot;Thinking of you&amp;quot; was actually produced in Japan. Unusually for their work, the song has no intro and starts with Koshi&amp;#039;s vocals immediately after the previous track ends. Most notably, the song was used as an [[Ending SE]] as part of [[B&amp;#039;z LIVE-GYM Pleasure 2000 &amp;quot;juice&amp;quot;]] and began the tradition of using [[B&amp;#039;z Unreleased Works|unreleased songs]] for the purpose. The song is one of two on the album to have [[B&amp;#039;z Songs Never Performed Live|never been performed live]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_12.ogg]] Originally created as a demo by Tak in between Los Angeles recording sessions, &amp;quot;Thinking of you&amp;quot; was actually produced in Japan. Unusually for their work, the song has no intro and starts with Koshi&amp;#039;s vocals immediately after the previous track ends. Most notably, the song was used as an [[Ending SE]] as part of [[B&amp;#039;z LIVE-GYM Pleasure 2000 &amp;quot;juice&amp;quot;]] and began the tradition of using [[B&amp;#039;z Unreleased Works|unreleased songs]] for the purpose. The song is one of two on the album to have [[B&amp;#039;z Songs Never Performed Live|never been performed live]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
	<entry>
		<id>https://www.bzwiki.com/index.php?title=ELEVEN&amp;diff=25036&amp;oldid=prev</id>
		<title>Jd-: /* Track listing */</title>
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		<updated>2017-12-11T10:27:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Track listing&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:27, 11 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_02.ogg]] Originally created with a much different arrangement without horns, &amp;quot;Seventh Heaven&amp;quot; is a funk-infused rock number about a place of bliss. It is also the first time Tak played bass on a track since doing so on the &amp;quot;[[FIREBALL]]&amp;quot; single in 1997. When asked by music critic Masanori Ito in 2014 to choose a song by B&amp;#039;z to represent their sound, this song was cited by Tak. It was performed on &amp;#039;&amp;#039;[[Music Station]]&amp;#039;&amp;#039; in 2000 alongside &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; and appeared on all dates of [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] but has not been performed since. It did, however, find on its way onto the tour&amp;#039;s [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_02.ogg]] Originally created with a much different arrangement without horns, &amp;quot;Seventh Heaven&amp;quot; is a funk-infused rock number about a place of bliss. It is also the first time Tak played bass on a track since doing so on the &amp;quot;[[FIREBALL]]&amp;quot; single in 1997. When asked by music critic Masanori Ito in 2014 to choose a song by B&amp;#039;z to represent their sound, this song was cited by Tak. It was performed on &amp;#039;&amp;#039;[[Music Station]]&amp;#039;&amp;#039; in 2000 alongside &amp;quot;[[Konya Tsuki no Mieru Oka ni]]&amp;quot; and appeared on all dates of [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] but has not been performed since. It did, however, find on its way onto the tour&amp;#039;s [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Shinjiru Kurai Ii Darou (Lyrics)|Shinjiru Kurai Ii Darou]]&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;I Can Believe in You&amp;#039;&amp;#039;, 信じるくらいいいだろう&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Shinjiru Kurai Ii Darou (Lyrics)|Shinjiru Kurai Ii Darou]]&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;I Can Believe in You&amp;#039;&amp;#039;, 信じるくらいいいだろう&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_03.ogg]] The song &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has not been &lt;/del&gt;performed &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;live since &lt;/del&gt;[[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;found &lt;/del&gt;on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;its &lt;/del&gt;[[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dedicated &lt;/del&gt;home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_03.ogg]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Contrary to their usual production method at the time, &quot;Shinjiru Kurai Ii Darou&quot; began with implementation of the riff. Tak&#039;s process at the time involved working primarily on the melody and filling in the rest from there. Indeed, the riff begins the song outright and continues through the chorus and outro without ceasing. Additionally, the song contains no guitar solo, becoming one of the select few B&#039;z songs to share that distinction. &lt;/ins&gt;The song &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/ins&gt;performed &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;very briefly on early dates of &lt;/ins&gt;[[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;removed from the setlist thereafter. It has not been released &lt;/ins&gt;on [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[RING (Lyrics)|RING]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[RING (Lyrics)|RING]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_04.ogg]] {{RING Song}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_04.ogg]] {{RING Song}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l42&quot;&gt;Line 42:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 42:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_09.ogg]] Spanning 7 minutes and 32 seconds, &amp;quot;Raging River&amp;quot; is the longest original song in the B&amp;#039;z catalogue. Its chief rival in terms of length is &amp;quot;OUT OF THE RAIN -OFF THE LOCK STYLE-&amp;quot; from the &amp;#039;&amp;#039;[[BAD COMMUNICATION]]&amp;#039;&amp;#039; mini album released in 1989. Though the song opens with a brief piano and strings intro, this transitions into acoustic guitar backing Koshi&amp;#039;s vocals for the first portion of the song. With the first chorus, the song adds electric guitar and becomes more of a full rock song. An English demo of the song premiered ten months prior via enhanced CD functions for &amp;#039;&amp;#039;[[B&amp;#039;z The &amp;quot;Mixture&amp;quot;]]&amp;#039;&amp;#039;. The initial version was [[B&amp;#039;z English Songs|entirely in English]] and recorded with an acoustic arrangement that ended during the first guitar interlude. Some of the English lyrics remain as part of the chorus here. The domain hosting the demo is no longer functional and thus the song is no longer accessible. Notably, fans initially wondered if the song had any connection to &amp;#039;&amp;#039;[[The 7th Blues]]&amp;#039;&amp;#039; album song &amp;quot;Akai Kawa&amp;quot; (&amp;#039;&amp;#039;Red River&amp;#039;&amp;#039;), though this was rendered moot when Tak said he did not specifically recall the song when asked given the dozens they&amp;#039;d produced in the interim. The song has not been performed live since [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] but was found on its [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_09.ogg]] Spanning 7 minutes and 32 seconds, &amp;quot;Raging River&amp;quot; is the longest original song in the B&amp;#039;z catalogue. Its chief rival in terms of length is &amp;quot;OUT OF THE RAIN -OFF THE LOCK STYLE-&amp;quot; from the &amp;#039;&amp;#039;[[BAD COMMUNICATION]]&amp;#039;&amp;#039; mini album released in 1989. Though the song opens with a brief piano and strings intro, this transitions into acoustic guitar backing Koshi&amp;#039;s vocals for the first portion of the song. With the first chorus, the song adds electric guitar and becomes more of a full rock song. An English demo of the song premiered ten months prior via enhanced CD functions for &amp;#039;&amp;#039;[[B&amp;#039;z The &amp;quot;Mixture&amp;quot;]]&amp;#039;&amp;#039;. The initial version was [[B&amp;#039;z English Songs|entirely in English]] and recorded with an acoustic arrangement that ended during the first guitar interlude. Some of the English lyrics remain as part of the chorus here. The domain hosting the demo is no longer functional and thus the song is no longer accessible. Notably, fans initially wondered if the song had any connection to &amp;#039;&amp;#039;[[The 7th Blues]]&amp;#039;&amp;#039; album song &amp;quot;Akai Kawa&amp;quot; (&amp;#039;&amp;#039;Red River&amp;#039;&amp;#039;), though this was rendered moot when Tak said he did not specifically recall the song when asked given the dozens they&amp;#039;d produced in the interim. The song has not been performed live since [[B&amp;#039;z LIVE-GYM 2001 &amp;quot;ELEVEN&amp;quot;]] but was found on its [[B&amp;#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[TOKYO DEVIL (Lyrics)|TOKYO DEVIL]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[TOKYO DEVIL (Lyrics)|TOKYO DEVIL]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_10.ogg]] The song has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dedicated &lt;/del&gt;home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_10.ogg]] The song &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ends with a Chinese gong which was cued by Tak&#039;s longtime tone guru and guitar technician [[Katsunori &quot;hakkai&quot; Hatakeyama|Katsunori Hatakeyama]]. A fully English reversion became their first [[B&#039;z English Songs|English song]] in some time when it was re-recorded as &quot;[[DEVIL]]&quot; two years later. It would be premiered live as part of [[B&#039;z LIVE-GYM 2002 &quot;GREEN ~GO★FIGHT★WIN~&quot;]] and performed as part of [[2002 FIFA World Cup International Day Concert]], a joint headline event with American rock legends [[Aerosmith]]. The song would first find its way onto album form in the Korean-exclusive mini album &#039;&#039;[[DEVIL]]&#039;&#039; in 2002 and later be voted by fans onto &#039;&#039;[[B&#039;z The Best &quot;ULTRA Treasure&quot;]]&#039;&#039; in 2008. The original Japanese version &lt;/ins&gt;has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eventual &lt;/ins&gt;home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Kobushi wo Nigire (Lyrics)|Kobushi wo Nigire]]&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;Clench That Fist&amp;#039;&amp;#039;, コブシヲニギレ&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Kobushi wo Nigire (Lyrics)|Kobushi wo Nigire]]&amp;#039;&amp;#039;&amp;#039; — &amp;#039;&amp;#039;Clench That Fist&amp;#039;&amp;#039;, コブシヲニギレ&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_11.ogg]] The song has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_11.ogg]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A relentless hard rock number, &quot;TOKYO DEVIL&quot; is amongst the hardest songs produced by B&#039;z. As with the album&#039;s third track, it was composed with a riff in mind as opposed to working from the melody which was at odds with their process at the time. Overlapped riffs were looped in a manner that is unusual for the B&#039;z production method. According to both members, the resulting song was emblematic of the exact sound they were attempting to capture during that era. Koshi also performed the harmonica on the track. So impressed were they with the result that Tak wanted to make it a single. The song served as the subtitle to a [[SHOWCASE]] concert that led into the album tour, with the resulting title being [[B&#039;z SHOWCASE &quot;Kobushi wo Nigire&quot;]]. &lt;/ins&gt;The song has not been performed live since [[B&#039;z LIVE-GYM 2001 &quot;ELEVEN&quot;]] but was found on its [[B&#039;z LIVE-GYM 2001 -ELEVEN- (Home Video)|dedicated home video]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Thinking of you (Lyrics)|Thinking of you]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&amp;#039;&amp;#039;&amp;#039;[[Thinking of you (Lyrics)|Thinking of you]]&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_12.ogg]] Originally created as a demo by Tak in between Los Angeles recording sessions, &amp;quot;Thinking of you&amp;quot; was actually produced in Japan. Unusually for their work, the song has no intro and starts with Koshi&amp;#039;s vocals immediately after the previous track ends. Most notably, the song was used as an [[Ending SE]] as part of [[B&amp;#039;z LIVE-GYM Pleasure 2000 &amp;quot;juice&amp;quot;]] and began the tradition of using [[B&amp;#039;z Unreleased Works|unreleased songs]] for the purpose. The song is one of two on the album to have [[B&amp;#039;z Songs Never Performed Live|never been performed live]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#: [[File:a11_12.ogg]] Originally created as a demo by Tak in between Los Angeles recording sessions, &amp;quot;Thinking of you&amp;quot; was actually produced in Japan. Unusually for their work, the song has no intro and starts with Koshi&amp;#039;s vocals immediately after the previous track ends. Most notably, the song was used as an [[Ending SE]] as part of [[B&amp;#039;z LIVE-GYM Pleasure 2000 &amp;quot;juice&amp;quot;]] and began the tradition of using [[B&amp;#039;z Unreleased Works|unreleased songs]] for the purpose. The song is one of two on the album to have [[B&amp;#039;z Songs Never Performed Live|never been performed live]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jd-</name></author>
	</entry>
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